Showing posts with label Pacific Northwest. Show all posts
Showing posts with label Pacific Northwest. Show all posts

Winter Solstice - Resilience During the Darkest Times

Been awhile since I've posted here.

I'm still around, despite things. Life has been difficult this past year, to say the least. I've dealt with a lot of loss and change over the past 12 months or so, and more ahead of me as the new year approaches.

To keep it brief: I'll be leaving this place and returning to the east coast. I've been yearning for that for some time now, but as with all major life changes, it comes with a whole range of complicated and intense mixed emotions: I've lost my primary income and my relationship. Things are rough financially. I've been spinning my own wheels for a year. And yet I have to figure out how to get myself moved 3k miles across the country.  It's a lot.

I've spent about a decade living here, so it probably goes without saying there is a lot here I will miss. One of them is among my favorite places in the entire world: the Pacific Bonsai Museum, which has become a sanctuary for me, a place for me to feel safe and peaceful. I've visited countless times, in all seasons and all weather.
(In fact, I've written another post about it before - at Winter Solstice 3 years ago.)

So I've decided to take a piece of it with me in the form of permanent ink, where I can hold it close to my heart forever.  

A couple of weeks ago, I got a tattoo of a particular bonsai that is very very special to me: the iconic Furuzawa Pine, a specific Japanese black pine (kuromatsu) tree found at the aforementioned Pacific Bonsai Museum.

 

 (tattoo by Halo) 

Photo of the Furuzawa Pine that I took in Dec. 2023
 
The Furuzawa Pine has a fascinating history. It was grown in a tin can from seed by Japanese American Juzaburo Furuzawa in the early 1940s while he was incarcerated in an internment camp in Topaz, Utah, during World War II. He probably grew several trees, but this bonsai might be the only remaining one to survive to present day.

 
Despite all it had been through & all the places it traveled, the Furuzawa Pine continued to survive and thrive under expert care. Then in early 2020, it and another bonsai were stolen from the Pacific Bonsai Museum. Fortunately, they were returned a couple of days later and both trees made a full recovery. 
 

I had seen the Furuzawa Pine plenty of times before at previous visits to the PBM, but this news story really captivated me. Of all the specimens there, it may not be the most showy or unique tree - Japanese black pine are very common bonsai - but its history really makes it special. Its particular species of tree is a symbol of resilience, longevity, and strength: themes that resonate with me very deeply, especially in the past few years. The Furuzawa Pine is very special to me now, and every time I see it in person it's like seeing an old friend.
 
Last night into today marks the Winter Solstice here in the Northern Hemisphere. I spent the early morning hours watching the live stream of sunrise at Newgrange in Ireland.

 
 
The Winter Solstice is an astronomical phenomenon that marks the shortest day and the longest night of the year. In the Northern Hemisphere, the Winter Solstice occurs on 21 or 22 December, when the sun shines directly over the tropic of Capricorn. At sunrise on the shortest day of the year, for 17 minutes, direct sunlight can enter the Newgrange monument, not through the doorway, but through the specially contrived small opening above the entrance known as the ‘roof box’, to illuminate the Chamber.
 

 
And then I left the house before dawn to try and get a glimpse of the rising sun from my part of the world. Alas, too cloudy/rainy; nevertheless, I felt a sense of peace as the sky grew brighter. 

In the next couple of months, I will be enduring a lot of things and going thru big life changes that will test my resilience. I'm not ashamed to admit that I'm pretty fucking scared. But I'm going to do my best to remember that the dark times don't last. The sun will rise again and bring back the light. I am resilient and strong. I can keep going. And I will find joy and peace and reasons to love living again.

Let everything happen to you: beauty and terror.
Just keep going. No feeling is final.
Rainer Maria Rilke

"Nothing ends with darkness and death...new life always follows. There's always light after the darkness."

 Love will beat everything.
Taika Waititi

Labor Day Weekend

Some folks consider Labor Day Weekend the last hurrah of Summer, and the unofficial beginning of Autumn. 

The weather this past weekend makes a strong argument for that notion. Dry, warm, breezy days which give over to light sweater-weather temps when the sun sets.

Moon & Mountain.
Tahoma (aka Mt. Rainier) and waxing gibbous moon.

 




 
The last of the daylight.


[all photos by Petrichor & Pumpkins 2022]

Bauhaus: 19 May 2022, Seattle

Last night, Seattle - Bauhaus in concert at the majestic, opulent Paramount Theater in downtown Seattle.

 
Soriah was the opening act. We missed most of their set because we were in the merch line for quite awhile, but what we witnessed was incredibly powerful, setting the vibe for the rest of the evening.

The Paramount is one of the most ornate venues I've ever seen. Perfect setting. The scent of clove cigarettes, patchouli, weed, and booze hung in the hazy air. Literally perfect.
 

Then the house lights went down and the stage lights flashed on. Strobe lights and fog machine. Then the music began and it felt like a sacred ritual had begun. The gods were summoned.
 




 

 
SET LIST:
  1. Rosegarden Funeral of Sores (John Cale cover)
  2. Double Dare
  3. In the Flat Field
  4. A God in an Alcove
  5. In Fear of Fear
  6. Spy in the Cab
  7. She's in Parties
  8. Kick in the Eye
  9. Bela Lugosi's Dead
  10. Silent Hedges
  11. The Passion of Lovers
  12. Stigmata Martyr
  13. Dark Entries
Encore:
  1. Sister Midnight (Iggy Pop cover)
  2. Telegram Sam (T. Rex cover)
  3. Ziggy Stardust (David Bowie cover) (!!!!)
 
Bonus content:
Beautiful details throughout this golden palace. It was a evening of wonder. Total experience. 

View from the merch line - which went all the way up to the second floor and wrapped around. Worth it.
 








Winter Solstice ponderings & wanderings

Long-ish naval-gaze-y post ahead.

I'm momentarily interrupting the Bad-vent Calendar posts for some thoughts on the Winter Solstice, darkness, and the beauty of the light. 

There's no debating that the past couple of years have been tough on literally everyone on this planet. To varying degrees, we've all been impacted by the stress of the pandemic. I'm not going to really get into that, but I wanted to acknowledge it, even if just for myself for this moment. 

It has been a dark time, and I've been struggling. The Bad-vent Calendar posts are meant to bring a bit of levity and humor to help me (and hopefully others) cope with the winter holidays, which are stressful enough even without a pandemic. 

I have a love-hate relationship with Xmas. I adore aspects of it - the lights, the cozy vibes, the get-togethers with loved ones. I despise the commercialism, phony sentimentality, forced participation, and stressful expectations. I always want to be in the holiday spirit, but it's an uphill battle that I kinda don't want to have to deal with in the first place. For most of my life, I've worked in industries that get crazy for holiday sales, and it can be really exhausting. That, combined with the lack of daylight hours and gloomy weather are hard on the brain.

Yet, there is an undeniable feeling of magic this time of year. Our ancestors from all over the world (at least in the Northern Hemisphere) knew this, too. The ancient Irish peoples knew that the Winter Solstice meant that the daylight hours would start to get longer again - the light of the sun was returning, slowly, to spread its warmth and energy to the land and its inhabitants. It was a time of hope and renewal. 

And it still is. We are all products of our ancestors, and even though some of the details and practices have changed, many of us still honor these winter celebrations in the second half of December, perhaps without even realizing the link to these ancient times. The prospect of the light emerging from a long period of darkness is deeply meaningful to us. 

I dunno about you, but I tend to get extra introspective during the darker months of the year, and reflect upon everything, question my life choices, realize with some dread that another year has flown by, etc. It's heavy. Herman Melville hit the nail on the head when he described the feeling of the "damp, drizzly November in my soul" in the classic novel Moby-Dick. After the excitement of the Halloween/Samhain season quiets down, all we're left with is the darkness that grows longer and longer every day.

And yet - the light endures.

I think that half the excuse for all the Xmas decorations is that we are light-starved, we crave it. We take the opportunities to drape lights everywhere, to bask in its glow. There's something about strings of Xmas lights/fairy lights that I've always found comforting, ever since I was a tiny child. 

I'm a "let's drive around and look at Christmas lights" person. Every year, no matter how cynical I feel about the winter holiday season, my heart always has room to love all the decorating with lights, from the most tasteful and stylish, to the most gaudy and tacky. If it shimmers, blinks, twinkles, glows, and/or shines, I'm hypnotized. I love it all. 

I might be at odds with some of the winter holidays, but Winter Solstice is something I truly appreciate, with its combination of both mystical and scientific aspects, both of which are relevant to my interests. I find various ways to observe the occasion, and this year I was able to attend a very special event centered around something else I love very much: trees. I'm about as obsessed with trees as I am with light.

This past Saturday, the Pacific Bonsai Museum (an outdoor gallery of bonsai trees) in Federal Way, WA, hosted its annual Winter Solstice event, which is the only time they are open to visitors in the evening. I've been to this space many times, and it's one of my favorite places on Earth; there's always something new to see there, with its rotating exhibits and the seasonal changes in the trees. I hadn't been often since the pandemic hit, but made it a point to attend this year's Solstice celebration. Although rain and wind were in the forecast, it stayed dry and calm while we visited.

(Content notice: some animated gifs of blinking lights ahead, for those sensitive to flashing lights)

The museum is set a bit away from the hustle & bustle of the city, on a beautiful campus lush with trees resembling a park, although much of it is private property. From the parking lot, a path lined with paper luminaries led us through the darkness to the entrance to the exhibit, which is enclosed with tall hedges around the perimeter.  

 

The trees designated as bonsai weren't directly adorned with lights for the event, but several were illuminated with soft spot lighting, casting dramatic shadows. Other trees and shrubs around the grounds were draped with strings of warm white lights. Visitors were encouraged to bring flashlights for navigating among the displays.

Each bonsai is enclosed in a plexiglass shelter during the colder months for extra protection from the rainy, windy Pacific Northwest winter weather. The texture of the enclosures gave an added aesthetic dimension, with some beautiful effects, as the light traveled through or bounced off the plexiglass. In the spring, these structures are removed, so the bonsai can be free in the open air and sunshine (contrary to popular belief, it doesn't rain constantly here).


The gallery's famous Domoto Maple, shown below, with a curtain of lights illuminating it from behind, made for a breathtaking display. This particular bonsai has a very colorful back story as well, which can be read about in the link above.


The other resident trees on the grounds of the museum may not be the focus of the exhibit, but on this night they had very important jobs as keepers of the light. Other trees on the outskirts, towering Douglas fir and others, felt like massive, shadowy sentinels, watching over all. To me, every tree is special and beautiful, no matter the size, age, history, or intricacy of its form, all important and necessary.


Each bonsai in the museum has a placard near its base, displaying several facts about it, including its species, age, the artist(s) who have a relationship with it, and facts about its origin.

And each tree has a distinct personality all its own. Some of the ones on display that night were new to me, some I'd seen many times before, and felt like visiting old friends.

 
I can't think of a better way to have begun Winter Solstice weekend. It was exactly what I needed - a stroll in the cool, fresh air, moving from shadow to shadow among living works of art, twinkling lights all around.  Although there were lots of other people in attendance, their presence wasn't very distracting; the overall vibe was calm, quiet, and respectful.
 
I carried that mood into the following days, spending some time bringing extra light into our home. And yes, we put up a Christmas tree. It's a really painfully cheap and beat-up artificial one, but with lights and some baubles added, it's beautiful and brings a peaceful glow to our living room. Even fake plastic trees are dear to me.

Plus, we have Krampus watching out for us, so that's a plus.

 
And of course, I am sharing some light with dear loved ones who have passed on, remembering holidays we had shared together.

I've spent the past three evenings tuning in to the livestream video broadcast from Newgrange (in Ireland), a significant, ancient, magnificent neolithic passage tomb aligned to the rising sun at Winter Solstice. They've had overcast weather, so alas, the inner chambers of this sacred space stayed quiet and dim this year. However, the three videos, now available to watch on Youtube (here, here, and here), were absolutely worth waiting up for and watching in their entirety. The hosts of the livestream gave fascinating presentations on the history, culture, and archeology of Newgrange and of similar monuments in Ireland and other parts of Europe. 


 (screenshot from the third livestream, one of the famous triple-spiral motifs carved into rock in the inner chamber at Newgrange)

If you're still reading up til this point -- thank you. I wish you happiness, health, and prosperity as we enter into the new year. I'll leave you with this - a photo I took of the full moon breaking through the clouds and rising over the bonsai museum the night I was there. 

(Click the pic for a piece of haunting winter music.)

 Bright days ahead. Happy Solstice to all.

Happy Halloween 2021!

Today is it, the high holiday. I had a low-key day, and while it wasn't the most exciting Halloween I've ever had, I pretty much got what I most needed: I got a little dressed up, spent some time outside walking thru leaf piles, then had pizza and watched a movie (Night of the Demons) and lit some electric candles for my ancestors. Might read some Tarot later.

HAPPY HALLOWEEN! HAPPY SAMHAIN!









 (All photos and content by Petrichor & Pumpkins/ Nebulosus Severine/ CMPauluh 2021)